نوع مقاله : مقاله پژوهشی
نویسندگان
دانشگاه ارومیه
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Abstract:
Poetry “Shariat” is on the basis of principles, and art strategies of poets. The elements of this “Shariat” were relative and modified during different historical and literary periods based on social, personality dimensions and different patterns of thought-art of every poet. Due to kingdom conditions governing on Anvari's society and on his thought and materialistic patterns, the poet prefers to show just his character of eulogy and lampoon. Accordingly, he founds his early “Shariat” poetry on two axes of poetic begging and exclusive attention to genre of eulogy from the type of immoral and irrational adoration. But by turmoil and irregulars made by the “Ghz Turks” leading to deletion of “Seljuk ruler” support, The first signs of change was appeared in Anvari's character and poetic “Shariat” including his regret for his former poetic “Shariat” along with eulogy and panegyric writing. In this period, by unveiling his newfound character as preacher and critic, Anvari constructs his newfound elements of “Shariat” on the basis of avoiding begging, recommendation of benefiting from the power of recognition and reason, emphasizing on efficient age of Poets, role playing necessity, poet's role making in society and abstaining from mental slavery.
کلیدواژهها [English]
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