عنوان مقاله [English]
One of the features of SAADI'S sonnet is simultaneous presence the two concepts of “love” and “war” in the texture of romantic poetry or in the other words creation romantic images with using vocabulary, interpretations and war images. In this article in addition to presentation statistical data in this case, has been dealt to studying reasons for attendance and remarkable frequency of vocabulary and war compounds in SAADI'S romantic sonnet. A total of 637 sonnet, it be seen vocabulary and war compounds like:
Blood, Killing, Sword, Blade, Arrow, Knock, God, Bow, Snare, etc. In examining the reasons for this issue, the mentioned cases in this research is as follows: Mythical backing of the goddess of love and war in the cultural sphere of Iran, Mesopotamia, Greece and Rome and the continuation of this pattern in the poetic space before SAADI including pattern beloved warrior in epic, lyrical literature and folklore. The historical, social and political situation of the SAADI era with emphasizing the Mongol invasion and its effects on the Persian poem space. Social factors including the history of the presence of Turkish slaves and the prevalence of "Sodomy" in the cultural and poetic realm of SAADI'S era and before that. Association of ideas as a common concept between psychology and literature and its effect in the expansion and repetition of words and war compounds in SAADI'S romantic poem.