Journal of Poetry Studies (boostan Adab)

Mikhail Bakhtin,the owner of dialogism theory, emphasis on different conversational features of texts,and considers it as a result of interaction between speaker and listener. On the ... Read More

Analysis of love and marriage’s deep structure in epic

mohamad kazem kahdouei; mohamad reza najarian

Volume 6, Issue 4 , March 2015, , Pages 47-80

https://doi.org/10.22099/jba.2015.2375

Abstract

The main theory of this study is to point out the existing difference between lyric and epic love. On the one hand, this Issue has not been done in Iran and the other hand the Iranian ... Read More

The Aesthetics Principles and Cohesive Factors in Poetry: Akhavan Sales’s “Katibe” and Sohrab Sepehri’s “Khabi Dar Hayahou”

maryam dorpar

Volume 6, Issue 2 , October 2014, , Pages 15-38

https://doi.org/10.22099/jba.2014.1874

Abstract

This study discusses the effect of aesthetics principles on factors of cohesion in poetry. Halliday and Hassan’s model of textual cohesion understands reference, ellipsis, substitution, ... Read More This study discusses the effect of aesthetics principles on factors of cohesion in poetry. Halliday and Hassan’s model of textual cohesion understands reference, ellipsis, substitution, lexical cohesion and conjunction as devices building cohesion and causing message perception from texts. This study seeks answers to questions that follow: what factors can make cohesion and perception of message possible in poetry and literary use of language? And how message perception is possible in the poems apparently lacking in cohesion? We also discuss what aesthetics principles affect the cohesion in poetry. In order to answer the above questions, Akhavan Sales’s “Katibe” and Sohrab Sepehri’s “Khabi Dar Hayahou” are studied in the light of the factors of cohesion. The strong usage of cohesive factors in “Katibe” and lack or loss of them in “Khabi Dar Hayahou” are shown with the result that Akhavan’s poem is consistent with classic aesthetics principles which know art as coordination, proportion, and temperance, and Sales has reached a strong cohesion by respecting these approach it whereas Sepehri’s “Khabi Dar Hayahou” and poems like that in the collections “Zendegi e Khabha” and “Avare Aftab” reveal principles of modern aesthetics and features surrealistic art. Hence it apparently is an amalgam of paradoxes, ruptures, dispersal and empty spaces but it finally achieves some kind of unity and through poet’s intellect and the deep philosophy which underlies the poem. In this article we have indicated that in addition to what Haliday and Hassan counted as the factors of textual cohesion in poetry and literature use of language, the narration and musical and visual cohesion have special roles. The purpose of this research is to clarify the way classic aesthetics, modern aesthetics and surrealistic art affect cohesive factors in poetry. Key words: Poetry, Aesthetics Principles, Cohesion, Katibe, Khabi Dar Hayahou

Methods of creation of textual coherence and rhetorical continuums in “Vis and Rāmin”

amin bani talebi

Volume 6, Issue 2 , October 2014, , Pages 107-134

https://doi.org/10.22099/jba.2014.1873

Abstract

Some linguistic theories propose useful possibilities for analyzing literary texts. Halliday and Hasan’s theory is an instance. These linguists understand the semantic, verbal, ... Read More

The reflection of some aspects of india,s culture And Literature in saeb, s poetry

Volume 6, Issue 2 , October 2014, , Pages 135-160

https://doi.org/10.22099/jba.2014.1853

Abstract

The cultural and literary ties between Iran and India have been a firm and undeniable one and have endured vicissitudes. This connection reached its height at Safavid and Gurkani age ... Read More

“Manli”, fluid sign; The Study of discursive sign-semantic of Nima’s poem: « Manli »

Volume 5, Issue 4 , July 2014, , Pages 1-16

https://doi.org/10.22099/jba.2014.1552

Abstract

The study of the sign, in transition from the structural semiotic and narrative systemhas entered to a new area who called the discursive sign-semantics. The first current is based ... Read More

رویکردی انتقادی به نوع حَماسی در ادبیّات فارسی

Volume 5, Issue 4 , July 2014, , Pages 41-66

https://doi.org/10.22099/jba.2014.1497

Abstract

In Persian literature genre of epic has been explained? In the stereotypical, repetitive and relatively Western Definition of Epic genre in Iran, Heritage of Persian literature has ... Read More

The Role of Pseudonym in Hafiz's Praising Sonnets

Volume 5, Issue 4 , July 2014, , Pages 67-90

https://doi.org/10.22099/jba.2014.1473

Abstract

A. Heidari* ... Read More

The Archetypal Analysis of the Story of Keykavous Attack in Mazandaran

aliakbar samkhaniani

Volume 5, Issue 4 , July 2014, , Pages 151-176

https://doi.org/10.22099/jba.2014.1472

Abstract

Myth has close relations with literature and mythical concepts and foundations have been always present and have had different forms in poems, stories and narratives and so on. Young ... Read More

The Role of Signs in Hafez' Poems

Volume 6, Issue 1 , June 2014, , Pages 1-26

https://doi.org/10.22099/jba.2014.1573

Abstract

Semiotics, for the first time, was introduced in the field of language studies by Ferdinand de Saussure. The goal of semiotics is to study the relation between signified and signifier. ... Read More

An Intertextual Reconsideration of salman savedji’ s poem "Jamshid & khorshid" from the perspective of New Historicism.

Volume 6, Issue 1 , June 2014, , Pages 161-188

https://doi.org/10.22099/jba.2014.1676

Abstract

In literary history of Iran, some works of art has been created based on the intellectual and cultural necessities of their time. If these works are reconsidered, they not only may ... Read More In literary history of Iran, some works of art has been created based on the intellectual and cultural necessities of their time. If these works are reconsidered, they not only may refer to individual and social psychology of Iranian people of that era, but they can also be considered as the rings of the literary trend, which complete the lost parts. “Jamshid and Khorshid”, a poem by Salman Savejy, in spite of the researchers' negligence, is one of the works that has considerable potentiality for emphasizing the structural viewpoint towards the literary works of its time. Tracing the signs in and out of the text with the help of intertexual and New Historicism approaches, this research tries to prove that “Jamshid and Khorshid” is a mystical work (despite the public belief). Based on this research, it can be proved, in two ways, that “Jamshid and Khorshid” is a mystical poem. First, by decoding the intertexual foundation of the text which—in spite of its dialectic connection to ancient Iranian myths and Shahnameh and also in spite of its imitation of lyrical foundation and narrative techniques of Nizami especially in Haft Peykar—has a mystical color because of its imitation of the structure and cryptic and mystical techniques of Suhrawardi’s stories such as Aghl-e Sorkh and Safir-e Simorgh; Sanai's Seir al-Ebad; Attar's Sheykh Sanan; and Rumi's the story of Ghale Zat o Sovar ("The Castle with Photos") and The Quarrel between the Chinese and the Romans. Second, employing New Historicism shows the alignment of the deep structure of "Jamshid and Khorshid" with the mystical context of the eighth century. It also shows that this poem was not created in historical vacuum and separate from the dominant discourse of that time. "Jamshid and Khorshid" was created in correspondence with mysticism, the dominant cultural and intellectual discourse of the eighth century. Key words: Jamshid and Khorshid, Salman Savejy, mystic symbolism, Intertextuality, New Historicism

Garshasb; the Asadi’s epic semi-hero

Volume 6, Issue 3 , February 2014, , Pages 93-116

https://doi.org/10.22099/jba.2014.2037

Abstract

Today, old writings study of new perspectives is one of the fundamental pillars. Mythical and archetypal criticism, however, that is integrated approach of psychology and anthropology, ... Read More

The Criticism of a Multiple - Poem from Dehkhoda on the basis of Transtextual Approach

Volume 6, Issue 3 , February 2014, , Pages 117-134

https://doi.org/10.22099/jba.2014.2052

Abstract

Multiple - Poem "yad ar ze sham' e morde yad ar" one of composed poems of Dehkhoda is one of Persian modern poems that got attention of researchers in contemporary literature. This ... Read More

Volume 16 (2024)

Volume 15 (2023)

Volume 14 (2022)

Volume 13 (2021)

Volume 12 (2020)

Volume 11 (2019)

Volume 10 (2018)

Volume 9 (2017)

Volume 8 (2016)

Volume 7 (2015)

Volume 6 (2014)

Volume 5 (2013)

Volume 4 (2012)

Volume 3 (2011)

Volume 2 (2010)

Volume 1 (2009)

Main Subjects = نقد

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