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<ArticleSet>
<Article>
<Journal>
				<PublisherName>Shiraz University</PublisherName>
				<JournalTitle>Journal of Poetry Studies (boostan Adab)</JournalTitle>
				<Issn>2008-8183</Issn>
				<Volume>8</Volume>
				<Issue>1</Issue>
				<PubDate PubStatus="epublish">
					<Year>2016</Year>
					<Month>05</Month>
					<Day>21</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Reflection of "Vāyu" 's function among national epic poems</ArticleTitle>
<VernacularTitle>Reflection of &quot;Vāyu&quot; &#039;s function among national epic poems</VernacularTitle>
			<FirstPage>131</FirstPage>
			<LastPage>156</LastPage>
			<ELocationID EIdType="pii">3386</ELocationID>
			
<ELocationID EIdType="doi">10.22099/jba.2016.3386</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Zahra</FirstName>
					<LastName>Zahra Riahizamin</LastName>
<Affiliation>Associate professor of Persian language &amp;amp; literature Department of Shiraz University, Faculty of Literature and Humanities</Affiliation>

</Author>
<Author>
					<FirstName>Tahereh</FirstName>
					<LastName>Foadi</LastName>
<Affiliation>Shiraz university -Faculty of Literature and Humanities</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2014</Year>
					<Month>12</Month>
					<Day>19</Day>
				</PubDate>
			</History>
		<Abstract>Vāyu is one of the most mysterious Indo-Iranian gods that despite other gods of the Mazdāyasnā religion, conceptualizes the dual confrontation of life and death. Mention has been made of Vāyu in &lt;em&gt;Rig-Veda&lt;/em&gt;, &lt;em&gt;Avesta&lt;/em&gt; and Pahlavi texts. By examining the reflection of the divine and devilish faces of it within the aforementioned texts and later works such as national epics, one can understand the &lt;em&gt;endurability&lt;/em&gt;of this ancient god in the form of ritual-mythical patterns of prayer, combat and death. This research is descriptive-analytical. By investigating library sources and by finding Vāyu&#039;s function in religious texts and its reflection in epic poems, the researchers argue that despite the presence of the simple word of &quot;wind&quot; in epics, one must pay a closer attention to the deeper semantic layers of the word and what lies in its mythical-semantic roots. After an examination of various evidences in epic poems, one comes to the conclusion that wind is not merely a representative of a natural phenomenon; in fact, Vāyu  has kept its mythical function among epic works especially &lt;em&gt;Shāhnāmah&lt;/em&gt;; and has manifested itself through three main roles:
1-The god of war and the multifunctional god of warriors (accompanying heroes in their battles, helping the army, assisting heroes to cross the sea, overthrowing flags and supporting the king),
2-  The messenger of death.
3- Tīsgtar&#039;s assistant in doing such acts as wizardry with the wind and putting heroes into test by exposing them to wind and coldness.
&lt;strong&gt;Keywords:&lt;/strong&gt; God of war, Wind, Praying, National Epic Poems, Vāyu.
 </Abstract>
			<OtherAbstract Language="FA">Vāyu is one of the most mysterious Indo-Iranian gods that despite other gods of the Mazdāyasnā religion, conceptualizes the dual confrontation of life and death. Mention has been made of Vāyu in &lt;em&gt;Rig-Veda&lt;/em&gt;, &lt;em&gt;Avesta&lt;/em&gt; and Pahlavi texts. By examining the reflection of the divine and devilish faces of it within the aforementioned texts and later works such as national epics, one can understand the &lt;em&gt;endurability&lt;/em&gt;of this ancient god in the form of ritual-mythical patterns of prayer, combat and death. This research is descriptive-analytical. By investigating library sources and by finding Vāyu&#039;s function in religious texts and its reflection in epic poems, the researchers argue that despite the presence of the simple word of &quot;wind&quot; in epics, one must pay a closer attention to the deeper semantic layers of the word and what lies in its mythical-semantic roots. After an examination of various evidences in epic poems, one comes to the conclusion that wind is not merely a representative of a natural phenomenon; in fact, Vāyu  has kept its mythical function among epic works especially &lt;em&gt;Shāhnāmah&lt;/em&gt;; and has manifested itself through three main roles:
1-The god of war and the multifunctional god of warriors (accompanying heroes in their battles, helping the army, assisting heroes to cross the sea, overthrowing flags and supporting the king),
2-  The messenger of death.
3- Tīsgtar&#039;s assistant in doing such acts as wizardry with the wind and putting heroes into test by exposing them to wind and coldness.
&lt;strong&gt;Keywords:&lt;/strong&gt; God of war, Wind, Praying, National Epic Poems, Vāyu.
 </OtherAbstract>
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			<Object Type="keyword">
			<Param Name="value">God of war</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">wind</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">praying</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">national epic poems</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Vāyu</Param>
			</Object>
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<ArchiveCopySource DocType="pdf">https://jba.shirazu.ac.ir/article_3386_79702d269a5a420a6a39f57290552a35.pdf</ArchiveCopySource>
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