Shiraz University Journal of Poetry Studies (boostan Adab) 2008-8183 10 3 2018 11 22 Analysis of Sensible/Stative system in Ghazals of Kamal Khojandi: A Semiotics Approach Analysis of Sensible/Stative system in Ghazals of Kamal Khojandi: A Semiotics Approach 119 140 4509 10.22099/jba.2017.25530.2681 FA Ebrahim Kanani The Assistant Professor of Persian Language and Literature at &amp;ldquo;Kosar University of Bojnord&amp;rdquo; 0000-0003-2737-5462 Journal Article 2017 05 28 <strong>Analysis of Sensible/S</strong><strong>tative</strong><strong> system in Ghazals of Kamal Khojandi: A </strong><strong>Semiotics</strong><strong> Approach</strong> <strong> </strong> <strong>Abstract</strong> Kamal Khojandi is a celebrated poet of the eighth and early ninth century. Love, rendi and malamati are topics that abound in his poetry. Praising love and rendi and presenting love-making scenes rare the most outstanding features of Kamal's poetry. This paper studies the stative system of ghazal number 19 of Kamal's divan in order to discuss the discourse system of his poetry, which has captivated hearts of many readers and has made him one of the most successful followers of Sa'di's school of ghazal. It is argued that there are many different stative, sensory-perceptual, and emotional layers in his poetry affecting the process of meaning -making  and presenting his poem's disputatious system.           <strong>Analysis of Sensible/S</strong><strong>tative</strong><strong> system in Ghazals of Kamal Khojandi: A </strong><strong>Semiotics</strong><strong> Approach</strong> <strong> </strong> <strong>Abstract</strong> Kamal Khojandi is a celebrated poet of the eighth and early ninth century. Love, rendi and malamati are topics that abound in his poetry. Praising love and rendi and presenting love-making scenes rare the most outstanding features of Kamal's poetry. This paper studies the stative system of ghazal number 19 of Kamal's divan in order to discuss the discourse system of his poetry, which has captivated hearts of many readers and has made him one of the most successful followers of Sa'di's school of ghazal. It is argued that there are many different stative, sensory-perceptual, and emotional layers in his poetry affecting the process of meaning -making  and presenting his poem's disputatious system.           https://jba.shirazu.ac.ir/article_4509_5e5fdc860e93a37897bf068bef6c352e.pdf