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<ArticleSet>
<Article>
<Journal>
				<PublisherName>Shiraz University</PublisherName>
				<JournalTitle>Journal of Poetry Studies (boostan Adab)</JournalTitle>
				<Issn>2008-8183</Issn>
				<Volume>4</Volume>
				<Issue>4</Issue>
				<PubDate PubStatus="epublish">
					<Year>2012</Year>
					<Month>10</Month>
					<Day>07</Day>
				</PubDate>
			</Journal>
<ArticleTitle>This study examines the influence of Ferdowsi on Malek-o-shoarâ Bahâr’s poetry</ArticleTitle>
<VernacularTitle>This study examines the influence of Ferdowsi on Malek-o-shoarâ Bahâr’s poetry</VernacularTitle>
			<FirstPage>65</FirstPage>
			<LastPage>86</LastPage>
			<ELocationID EIdType="pii">470</ELocationID>
			
<ELocationID EIdType="doi">10.22099/jba.2012.470</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2012</Year>
					<Month>10</Month>
					<Day>07</Day>
				</PubDate>
			</History>
		<Abstract>This study examines the influence of Ferdowsi on Malek-o-shoarâ Bahâr’s poetry. Accordingly, with a brief review of Bahâr’s academic career and his studies of &lt;em&gt;Shâhnâme&lt;/em&gt;, these influences can be studied under three categories: 1. the praising of &lt;em&gt;Shâhnâme&lt;/em&gt; and Ferdowsi; 2. the use of epic settings and descriptions; and 3. the application of the allusions of &lt;em&gt;Shâhnâme&lt;/em&gt; in his Divan. Examples of these influences are extracted from his &lt;em&gt;Divân&lt;/em&gt; and, in some cases, their relations with the sociopolitical issues have been studied. Bahâr, in the different stages of his life, has had different attitudes towards political issues and accordingly has got various influences from &lt;em&gt;Shâhnâme&lt;/em&gt;.</Abstract>
			<OtherAbstract Language="FA">This study examines the influence of Ferdowsi on Malek-o-shoarâ Bahâr’s poetry. Accordingly, with a brief review of Bahâr’s academic career and his studies of &lt;em&gt;Shâhnâme&lt;/em&gt;, these influences can be studied under three categories: 1. the praising of &lt;em&gt;Shâhnâme&lt;/em&gt; and Ferdowsi; 2. the use of epic settings and descriptions; and 3. the application of the allusions of &lt;em&gt;Shâhnâme&lt;/em&gt; in his Divan. Examples of these influences are extracted from his &lt;em&gt;Divân&lt;/em&gt; and, in some cases, their relations with the sociopolitical issues have been studied. Bahâr, in the different stages of his life, has had different attitudes towards political issues and accordingly has got various influences from &lt;em&gt;Shâhnâme&lt;/em&gt;.</OtherAbstract>
<ArchiveCopySource DocType="pdf">https://jba.shirazu.ac.ir/article_470_e8a8e53633637412d7029d709cd3d010.pdf</ArchiveCopySource>
</Article>
</ArticleSet>
