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<Article>
<Journal>
				<PublisherName>Shiraz University</PublisherName>
				<JournalTitle>Journal of Poetry Studies (boostan Adab)</JournalTitle>
				<Issn>2008-8183</Issn>
				<Volume>12</Volume>
				<Issue>3</Issue>
				<PubDate PubStatus="epublish">
					<Year>2020</Year>
					<Month>11</Month>
					<Day>21</Day>
				</PubDate>
			</Journal>
<ArticleTitle>A Survey on different meanings of the pronouns 'I' and 'We' in Hafez's Divan</ArticleTitle>
<VernacularTitle>A Survey on different meanings of the pronouns &#039;I&#039; and &#039;We&#039; in Hafez&#039;s Divan</VernacularTitle>
			<FirstPage>187</FirstPage>
			<LastPage>216</LastPage>
			<ELocationID EIdType="pii">5359</ELocationID>
			
<ELocationID EIdType="doi">10.22099/jba.2019.33593.3390</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Rooyintan</FirstName>
					<LastName>Farahmand</LastName>
<Affiliation>valiasr rafsenjan University</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2019</Year>
					<Month>05</Month>
					<Day>14</Day>
				</PubDate>
			</History>
		<Abstract>  &lt;br /&gt;Abstract &lt;br /&gt; Hafez has an exceptional ability in choosing the best words to convey meanings. The significant frequency of the pronouns &quot;I&quot; and &quot;we&quot;, with various meanings and functions, in Hafez&#039;s poetry indicates that the poet tends to express personal, social, mystical, reprehensible, romantic, cosmic and eternal human sorrows. Hafez, in about 200 verses, reflects different types of &quot;I&quot; and &quot;we&quot; in connection with the mentioned subjects, very artistically. The issue of love, in a sort of visible and invisible way, is connected with Hafez&#039;s &#039;I&#039; and &#039;we&#039;, as the affectionate and melancholic beings, manifests the eternal destiny of human beings with all its ups and downs. The prominent themes in Hafiz&#039;s &#039;I&#039; and &#039; we&#039;, as a human being, are love, blame, and fate, something  inevitable and inescapable in life.  The pronoun &#039;We&#039; also has multiple meanings in Hafez&#039;s perception and poetic style, resembling those found in &#039;I&#039;,  but with a lower frequency. Considering the main tenets of Hafez&#039;s poems, the presence of different kinds of descriptive and attributive &#039;we&#039; and &#039;I&#039;, represents the poet&#039;s attitude towards desirable and undesirable aspects of the time, estrangements, and human existential contradictions. However, the employment of affectionate &#039;we&#039; and &#039;I&#039;, in Hafez&#039;s poems, manifests  all good and evil traits of human beings. The use of collective noun adjectives, consecutive fixed phrases, consecutive adjectives with “and” as a conjunction,adjective, or addition, used after the poet’s pseudonym, are the signs that contribute to a better understanding of &#039;I&#039; and &#039;we&#039; in Hafez’s lyrical poetry. &lt;br /&gt; </Abstract>
			<OtherAbstract Language="FA">  &lt;br /&gt;Abstract &lt;br /&gt; Hafez has an exceptional ability in choosing the best words to convey meanings. The significant frequency of the pronouns &quot;I&quot; and &quot;we&quot;, with various meanings and functions, in Hafez&#039;s poetry indicates that the poet tends to express personal, social, mystical, reprehensible, romantic, cosmic and eternal human sorrows. Hafez, in about 200 verses, reflects different types of &quot;I&quot; and &quot;we&quot; in connection with the mentioned subjects, very artistically. The issue of love, in a sort of visible and invisible way, is connected with Hafez&#039;s &#039;I&#039; and &#039;we&#039;, as the affectionate and melancholic beings, manifests the eternal destiny of human beings with all its ups and downs. The prominent themes in Hafiz&#039;s &#039;I&#039; and &#039; we&#039;, as a human being, are love, blame, and fate, something  inevitable and inescapable in life.  The pronoun &#039;We&#039; also has multiple meanings in Hafez&#039;s perception and poetic style, resembling those found in &#039;I&#039;,  but with a lower frequency. Considering the main tenets of Hafez&#039;s poems, the presence of different kinds of descriptive and attributive &#039;we&#039; and &#039;I&#039;, represents the poet&#039;s attitude towards desirable and undesirable aspects of the time, estrangements, and human existential contradictions. However, the employment of affectionate &#039;we&#039; and &#039;I&#039;, in Hafez&#039;s poems, manifests  all good and evil traits of human beings. The use of collective noun adjectives, consecutive fixed phrases, consecutive adjectives with “and” as a conjunction,adjective, or addition, used after the poet’s pseudonym, are the signs that contribute to a better understanding of &#039;I&#039; and &#039;we&#039; in Hafez’s lyrical poetry. &lt;br /&gt; </OtherAbstract>
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			<Param Name="value">Keywords: Paradox</Param>
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			<Param Name="value">Hafez</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Love</Param>
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			<Object Type="keyword">
			<Param Name="value">Blame</Param>
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			<Param Name="value">I and we</Param>
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