Shiraz University Journal of Poetry Studies (boostan Adab) 2008-8183 12 4 2021 02 19 the cradophiles in Hafez's sonnets the cradophiles in Hafez's sonnets 27 46 5482 10.22099/jba.2019.33805.3410 FA Yousof Asqari Bayqoot university of jiroft. jiroft, kerman, iran Mahdi Dehrami Journal Article 2019 05 31 The cradophiles occurs when two or more terms have the same meaning in the same sense. Sometimes these words are mentioned in poetry, while mentioning one of them is enough to convey meaning. In literature, the technical style of this method has expanded, but in traditional poetry, the factors of which are weight limits, independence of abyat, negation of the semantic circle and lexical association, distancing from belief, observance, promotion of aby, etc., a poet's bed of rhetoric , It does not seem to be so common and artistic. Nevertheless, in the poems of the great poets of this structure, there is a significant frequency. The preceding article examines this issue in Hafez's poetry, and has shown that Hafez has also been repeatedly referred to the category of cordons. Credits in his poetry have been made for reasons such as carrying some of the meaning of the word to another, using conventional and standardized terms, creating proportions and phonetic clusters, lexical proportions, and creating inspiration, emphasizing meaning, creating bilingual structures, etc. The cradophiles occurs when two or more terms have the same meaning in the same sense. Sometimes these words are mentioned in poetry, while mentioning one of them is enough to convey meaning. In literature, the technical style of this method has expanded, but in traditional poetry, the factors of which are weight limits, independence of abyat, negation of the semantic circle and lexical association, distancing from belief, observance, promotion of aby, etc., a poet's bed of rhetoric , It does not seem to be so common and artistic. Nevertheless, in the poems of the great poets of this structure, there is a significant frequency. The preceding article examines this issue in Hafez's poetry, and has shown that Hafez has also been repeatedly referred to the category of cordons. Credits in his poetry have been made for reasons such as carrying some of the meaning of the word to another, using conventional and standardized terms, creating proportions and phonetic clusters, lexical proportions, and creating inspiration, emphasizing meaning, creating bilingual structures, etc. https://jba.shirazu.ac.ir/article_5482_94708072a863197830a580aced120ab2.pdf