Shamolu’s methods in the application of Compound simile

Document Type : Research Paper

Author

assistant professor of the Persian language and literature department. Farhangian university. Tehran. Iran

Abstract

A Compound simile is one of the finest types of similes that provide a complete picture of the association of two or more things. Compound simile has always been of interest since the first periods of Persian poetry and has also found a special effect in contemporary poetry. Shamlou is one of the most prominent contemporary poets, whose prose poetry (white poetry) is named after him and he has used compound similes in many cases and with great artistry. In this research, which is a library and is done with a descriptive-analytical method, the compound similes in Shamlou’s. Poems are examined in order to find out the artistic techniques of Shamlou in the structure of compound simile, the role of novel arrays in addition to the compound simile, and the purposes of simile. The result of the research showed that the plurality of tenor and vehicle, priority vehicle over tenors, and adding to compound similes are structural features of compound similes in Shamlou’s s poetry, and each of these features has been used to strengthen the music of the poem and also its semantic purposes. The purposes of simile are also significant in Shamlou's poetry; considering that Shamlou's poetry is a critical social poem and the poet has a rhetorical and critical tone in most of this poem, "condemning and making the tenors look ugly" and "arguing to express the possibility of the tenors" are among the purposes that can be seen in his compound similes.

Keywords

References

Alavi Moqaddam, Mohammad & Ashrafzadeh, Reza. (2019). Bayan va Maani, Tehran: Samt.
Aqahosseini, Hossein& Barati, Mahmud& Nikbakht, Abbas. (2008). "Compound simile in Iraqi style Ghazal", journal of lyrical literature researchers, No 11th, pp 5-36.
Barahani, Reza. (2002). Tala Dar Mess (about poetry), vol 2, Tehran: Zaryab.
Bazi Hosseini, Mohsen. (2013). Compound simile in Boostan of Sadi, senior thesis, Mazandaran university.
Dastgheib, Abdolali. (1994). Criticism Ahmad Shamlu’s works, Tehran: Arvin.
Homaii, Jalaladdin.(2009).  Rhetorical techniques and literary industries, Tehran: Homa publication.
Iskandari, Bahaaddin. (2005). " A Second look at the compound and bound simile", journal of Isfahan university faculty of literature and humanities, second term, No 47, pp 83-97.
Jalali Pandari, Yadollah. (2019). Mahdi Akhavan Sales: criticism of contemporary poetry: Notes from the teaching of Akhawan in Tehran university along with some critical articles, Tehran: Morvarid.
Mojabi, Javad. (1998). Shenakhtnameye (identify card) Ahmad Shamlu, Tehran: qatreh publication.
Mokhtari, Mohammad. (1999). Man in contemporary poetry, Tehran: Tus.
Nimayushij. (1955). Collected Works of Nimayushij, Tehran: Safi Alishah publication.
Poornamdaryan, Taqi. (2011). Travel in fog: A Reflection on Ahmad Shamlu’s poetry, Tehran: Sokhan.
Sadi Shirazi, Moslehoddin.(1993). Bustan e Sadi, edited by Gholamhossein Yusofi, Tehran: Kharazmi.
Sepehri, Sohrab. (2010). Hasht Ketab e Sohrab sepehri, Tehran: Rastin.
Shafii Kadkani, Mohammadreza. (2011). With a lamp and a mirror: Searching for the roots of the evolution of contemporary poetry, Tehran: Sokhan.
Shafii Kadkani, Mohammadreza. (2012). The resurrection of words: A lesson on the literary theory of Russian formalists, Tehran: Sokhan.
Shafii Kadkani, Mohammad Reza. (1991). Images of Imagination in Persian Poetry, Tehran: Agah Publications.
Shamisa, Sirus. (2002). Bayan va Maani, Tehran: Ferdous.
Shamlu, Ahmad. (2012). Collected Works, Tehran: Negah publication.
Shams Langrudi, Mohammad. (1991). An analytical history of new poetry, Vol 4, Tehran: Markaz publication.
Tajlil, Jalil. (2018). Maani va Bayan (Meaning and Expression), Tehran: Markaze Nashre Daneshgahi.
Zarqani, Mahdi. (2015). The perspective of contemporary iranian poetry: Streamoligy of iranian poetry in the 20th century, Tehran: Sales.

Files

Share

How to cite

Statistics