Document Type : Research Paper
Author
Associate Prof in Persian Language and Literature of Hormozgan University, Bandarabas, Iran
Abstract
In Manaqib al-Arifin, Aflaki narrates a story about Gorji Khatun, a courtier and a disciple of Mawlana (Rumi). Because of travel and her distance from Mawlana, she asks the painter of her time to paint a portrait of Mawlana, to ease the pain of distance by looking at his image. But every time the painter paints a picture of Mawlana, he finds it different from the previous picture. Mawlana wrote the ghazal “How colorless and unmarked I am” in connection with this event. Whenever the connection between literature and painting is discussed in research, it refers to the illustrations of the events of stories. But in this research, literature and painting have a dialectical relationship, along with the subject-object that constantly moves between these two realms, there are two sign systems or two discourses that are in opposition to each other. These events are received from Mawlana and Aflaki's reports, and they show a process that represents two different discourses.
Keywords
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