Document Type : Research Paper

Authors

• Roohallah Hashemi ¹
• Mahmoodi Mohammad Ali ²
• Abdolali Oveisi Kahkha ³

¹ PHD Student of Persian Language and Literature. university of Sistan And Baluchestan. Zahedan. Iran

² Prof of Persian Language and Literature, University of Sistan and Baluchestan, Zahedan. Iran.

³ Associate Prof of Persian Language and Literature, University of Sistan and Baluchestan, Zahedan. Iran.

Abstract

In literature, the set of expressive and creative tools belong to the realm of imagery and are located in the artist's imagination and are strongly influenced by the place and time of birth, growth, and development of the artist and poet. In this case, "migration" and entering a new place and time creates a "new identity" for the immigrant.This article is written in a descriptive-analytical documentary method. Given that Taleb Amoli was one of the Persian-speaking Iranian poets of the "new style" in the Indian Style, it is necessary to examine the new methods that this poet created in the imagery, theme and style of the ghazal, as one of the most important formats of this period. Taleb Amoli's ability to express the characteristics of Indian style, especially imagery, as well as his interaction with the Indian court and court poets, made him a subject of critical study. For this reason, the study of his poems began with his more contemporary works of tazkirah. Among the more recent studies, three categories of study, i.e., various educational themes, complaint, pride and longing for home, grammatical analysis, and criticism and examination of some stylistic features and extraction of literary achievements have received much attention, and in all of them, the emphasis on the need for re-correction of Taleb's Divan is notable. However, no research has been conducted so far on the components of imagery in Taleb Amoli's poetry.
 

Keywords

• Taleb Amoli
• Indian style
• migration literature
• imagery

Main Subjects

• متون غنایی