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An Analysis of Literary Imitations of the Most Important Persian Poetic Texts

Document Type : Research Paper

Authors

1 Prof of Persian Language& Literature, Azarbijan Shahid Madani University, Tabriz, Iran

2 Associate Prof of Persian Language and Literature,,Azarbijan Shaid Madani Univeristy, Tabriz, Iran

3 PhD Student of Persian Language& Literature, Azarbijan Shahid Madani, University , Tabriz, Iran

Abstract

The tradition of nazirehguei (poetic imitation or model-based composition) in Persian literature is recognized as a creative method for reimagining classical texts. This literary practice enables poets to compose new and independent works while preserving the structural framework of earlier masterpieces. In this process, the poet adheres to the formal principles of the source text while simultaneously introducing personal perspectives and innovations. Nazirehguei is therefore not mere imitation; rather, it represents a dynamic dialogue between tradition and originality. This longstanding practice has played a significant role in transmitting literary concepts, styles, and aesthetic values across generations. Its prominent examples appear in counter-writings inspired by the works of Hafez, Sa’di, Rumi, and Ferdowsi—texts that, while revering their originals, offer fresh insights and new aesthetic sensibilities. Focusing on Persian poetic texts, the present study investigates the historical evolution of literary imitation and analyzes its aesthetic and thematic dimensions. Studying this literary tradition yields a deeper understanding of the development of Persian poetry and the relationship between classical and contemporary texts. The importance of this research lies in clarifying the function of imitative compositions as a bridge connecting different literary periods and as evidence of the evolving poetic taste and intellectual orientation of poets throughout history.
 

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References
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Journal of Poetry Studies (boostan Adab)
Volume 18, Issue 2 - Serial Number 68
September 2026
Pages 81-100
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