نوع مقاله : مقاله پژوهشی
نویسنده
نویسنده
چکیده
کلیدواژهها
عنوان مقاله [English]
R. Amini *
Shiraz University
Abstract
Formalism is one of the modern literary theories which has yet not been fully discussed in relation to traditional literary theory. The first section of this study proposes that this basic theoretical investigation starts with the most important concept of Formalism which is called “procédé” in French. The term which has been translated into different Person equivalences like “/tamhid-e sabki/, /xat-e mashi/, /fan/, /sana'at/, /shegerd/, /abazaar/, /faraagard/, /far'aayand/”, has not been discussed in detail. Therefore, in the first section of the study, the translations and then, the definitions of this concept from original references have been examined. The analysis of the examples and, specifically, the examination of how a common theme is stated progressively in different couplets show that both viewpoints attempt to find a collection of nuanced linguistic changes of poetry and define them. These changes, which are the basis of beauty and symmetry of poetry, consist of a wide scope of components such as the number of syllables, circumlocution, repetition, and/or the substitution of the elements of speech. And they basically include the selection and combination of speech in any form that the conscious or unconscious stream of the poet’s mind which leads to the creation of excellent fragments of poetry. In the second section of the study, a very beautiful couplet from Sa’di and also, a couplet from Hafiz have been analyzed and then, by providing various pieces of evidence and argumentative discussion it has been shown that through appropriate understanding of the concept a new and deeper reading of both Formalism and the traditional sources of Persian poetry can be achieved.
* Associate Professor in Persian Language & Literature, Mza130@yahoo.com
کلیدواژهها [English]
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