نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشیار گروه زبان و ادبیات فارسی دانشگاه خلیج فارس، بوشهر
2 استاد مدعو گروه زبان و ادبیات فارسی دانشگاه خلیج فارس، بوشهر
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Abstract:
Sufi Mohammad Haravi is an anonymous poet of the 9th century AH (15th century CE). Although he has composed contemplative poems in the field of satire, there is no known mention of him or his poetic style in recognized biographies and sources. His anonymity, combined with his capabilities in satire, provides a basis for conducting research to introduce him and his contrasting satirical methods. The hypothesis of this research is that Sufi Haravi, while adopting the style of "Boshaq" (satire), demonstrates innovation and creativity. The research methodology employed is analytical-comparative-description, using the criterion of "at'ameh" (food) poetry from the " Boshaq Divan" and comparing it with Sufi Haravi's style, genre, and context. This study demonstrates that Sufi Haravi has been influenced by the topics and themes of "at'ameh" poetry in various verses and writings, but certain characteristics distinguish his work and make it noteworthy. In the realm of "Ghazal" poetry, what sets his poetry apart is the frequency of utilizing the realms of love and mysticism. He places food as the beloved and employs Hafez's ironic poetic space, which has received the most acclaim, to incorporate certain mystical concepts and create an ironic atmosphere. Accordingly, the narrator in his poetry is a food seeker, and his desired beloved is bread, which rises from the eastern oven, and in his view, a piece of bread surpasses the two worlds. In addition to this ironic atmosphere, he utilizes techniques such as metaphor, simile, exception, etc., to enhance the richness of his contrasting imagery. And from this point of view, those interested in this kind of parody can enjoy reading his poems by reading his poems.
کلیدواژهها [English]
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