عنوان مقاله [English]
The study of the sign, in transition from the structural semiotic and narrative systemhas entered to a new area who called the discursive sign-semantics. The first current is based on the contrast relations between the poles of means and the second is based on the program and the transformation from the first condition to the second condition.In the discursive semiological approach that the process of meaning production unites with perceptive conditions, sign’s presence leaves the mechanical and fixed situation and follows a dynamic and perceptive process. In fact, the sign become phenomenological. In the present study, an attempt has been made to study the discursive process in the Manli’s poem named “Manli”, in the perceptive dimension, emotional dimension and aesthetical dimension. We try to analyse the process of meaning production and the formation of the sign’s fluidity. Also, we explain how does Manli-sign transform to a sign particular when it is situated in the tense atmosphere and emotional conditions. In this situation, the sign go out from his usual line and create a esthetical process.