عنوان مقاله [English]
نویسنده [English]چکیده [English]
In a significant part of his roguish and exciting sonnets, Attar Neyshabori has discussed the issue of meeting with his holy witness or his kingdom and superior self. In these sonnets, he depicted the event that refer to a kind of inner, intuitive and completely personal knowledge unmediated sense and reason. Therefore, they have a special language, attitude, style and the poet's individuality and creativity are well-showing in them. In these sonnets, which are structurally fictional and completely narrative and can be called sonnet-story, Attar is the narrator of his mental event stories. The events that make their main founder the semantic story of Sheikh Sanan and Hallaj. Due to the overtake of emotional and intuitive conditions, the poet resorts to metaphorical pole of language and uses code and symbol to express his purpose. The dreaming, contradiction and ambiguity are the nature of these sonnets, therefore the interpretation of the sonnets is considered. Also, the overpowering of news and emotional face, serious and sensory tone of the poet and the proportion of face and content can be considered as another coordinates of these sonnets.