نوع مقاله : مقاله پژوهشی
نویسندگان
1 استادیار گروه زبان و ادبیات فارسی دانشگاه کوثر بجنورد
2 استادیار گروه زبان و ادبیات فارسی دانشگاه بجنورد
3 دانشجوی کارشناسی ارشد ادبیات روایی دانشگاه کوثر بجنورد
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
In the present article, we used gesture in one of Rumi's narrative sonnets. In this discourse, Rumi portrays a subject who, by practicing and practicing in a gesture, becomes what he expected of that gesture. Rumi's subjects are formed through interaction with the gesture in the form of body and transcendence, and in a process based on the system of adaptation, they achieve a kind of co-presence with the gesture. But the main question is what is the mechanism of such a situation and based on which strategies and discourse functions it is realized. Based on this, in the leading research, using the method of content analysis, an attempt has been made to explain how the subject encounters the gesture and its effect on Rumi's linguistic and semantic system. The main question of the research is under what conditions the gesture is produced and how it transforms the subject from a physical state to a transcendental state. Our hypothesis is that sensory-perceptual and sensory-intuitive pressure produce a gesture when it exceeds its limit. The subject transforms into a transcendent subject by repeating and internalizing his constructed gesture (transcendental gesture) Thus, the gesture with two-dimensional capability, on the one hand, frees the subject from other gestures, masks and images, and on the other hand, through the gesture itself, the subject is elevated from the physical-gestural space to the transcendent space and reaches an absolute presence.
کلیدواژه‌ها [English]
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